Get all 109 Field Recorders' Collective releases available on Bandcamp and save 20%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of FRC 738 - John Dee Kennedy of Pawnee, Oklahoma (From the collection of Brad Leftwich and Linda Higginbotham, FRC 737 - John Rector - Galax Fiddle & Banjo (Tom Carter & Blanton Owen recordings), FRC 730 - Leake County String Band: Mississippi's Longest-lived String Band, FRC 732 - Kentucky Fiddlers Home Recordings: Vol 1, FRC 731 - Along the Ohio's Shores, FRC 729 - H.K. Silvey - Fiddling from Ozark County, Mo, FRC 733 - Albert Hash - Volume 3 (Joseph Armiger collection), FRC 728 - Teodar Jackson - African American Fiddling from Texas, and 101 more.
If you like FRC 721 - Bob Holt: Dance Fiddling from the Missouri Ozarks (1993 recordings by Jim Nelson), you may also like:
THE ONLIES
by The Onlies
supported by 6 fans who also own “FRC 721 - Bob Holt: Dance Fiddling from the Missouri Ozarks (1993 recordings by Jim Nelson)”
Great choice of music, expertly played and sung. Nicely produced. I hope to see The Onlies live, asap. This is an album I listen to over and over.
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Going Down to 'Leven Point
by Ozark Highballers
supported by 5 fans who also own “FRC 721 - Bob Holt: Dance Fiddling from the Missouri Ozarks (1993 recordings by Jim Nelson)”
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Vol. 3
by Hog-Eyed Man
supported by 5 fans who also own “FRC 721 - Bob Holt: Dance Fiddling from the Missouri Ozarks (1993 recordings by Jim Nelson)”
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Paume de pierre
by Sage Alyte
The Belgian duo use violin, banjo, gongs and bird calls to create looping, gentle songs that mimic the ambience of the natural world.
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crookhollow and variations
by poor horse
An intimate (and instrumental) improvised solo guitar meditation on the vastness of the unknown, from the Appalachian mountains.
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Isasa
by Isasa
Isasa makes contemplative and emotionally rich fingerstyle guitar in the mode of John Fahey and Jack Rose.
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Vol. 2
by Hog-eyed Man
supported by 5 fans who also own “FRC 721 - Bob Holt: Dance Fiddling from the Missouri Ozarks (1993 recordings by Jim Nelson)”
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