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FRC 609 - Berkeley in the 1960s: The Musicians of Colby Street (from the collection of John Cohen)

by Berkeley in the 1960s

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Wes Freeman
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john burgess
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susan Burke
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George Waldrop
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Andrew Alexis
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Chris Chapin
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leroytiptoe
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Lisa Shea
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1.
Little Rabbit 03:47
2.
Dubuque 04:36
3.
Rose Tree - Ricketts Hornpipe 02:59
4.
Rye Straw 02:37
5.
Say Old Man 02:22
6.
Hell Amongst the Yearlings 02:07
7.
Angeline the Baker 02:57
8.
Beale Street 03:01
9.
Railroading on the Great Divide 02:35
10.
The Highwayman 02:57
11.
Jack of Diamonds 03:06
12.
Cherokee Shuffle 04:26
13.
Old Soldier 02:48
14.
Sugar in the Gourd 01:56
15.
Fishing Creek 02:43
16.
Teetotaler 02:52
17.
Over the Waterfall 02:56
18.
Yellow Gal 02:36
19.
Fortune 02:47
20.
Farewell Blues 01:27
21.
Millers Reel - Masons Apron 02:03
22.
The Sligo Maid 02:14
23.
Billy in the Lowground 03:06
24.
Bonnie Galway - Mist Covered Mountains 02:43

about

The musicians of Colby Street lived, performed and busked in Berkeley and Oakland California during the late 60’s and 70’s. Most are still in the San Francisco Bay area in 2008, all of them are still active in music. As Jody Stecher points out, this was, “an entity that never ever existed except when the New Lost City Ramblers came to town and there was a party at Colby Street?everyone played at once. The participants had differing aesthetics, different tune versions, and all of us were just starting to develop our personal musical voices. But this was not a collective voice either. It was just a bunch of disparate voices playing more or less the same tune at more or less the same time.” It included members of Dr. Humbead’s New Tranquility String Band and Medicine Show, Fat City, the Diesel Ducks, Yreka Bakery, and other temporary combinations. Thinking it was one band, John Cohen decided to record this unprecedented sound. The recordings were done at Peter Weston’s Pacific High Studio, recorded in seven tracks over the 3-inch tape outtakes from the Grateful Dead’s “Workingmans’s Dead”. Although never issued, these recordings offer a unique interpretation of old time music performed by great musicians totally immersed in their music and its atmosphere. They were in and out of each other’s lives, and in retrospect, there was a great deal of experimentation, improvisation and love expressed here. It’s dazzling and woozy music, done by dazzling and woozy musicians. – John Cohen

credits

released November 18, 2015

Mac Benford (banjo, lead vocal tracks 8,10), Hank Bradley (fiddle), Sue Draheim (fiddle), Kenny Hall (mandolin),
Larry Hanks (jaw harp, lead vocal track 9), Walt Koken (banjo, fiddle), Bob Potts (fiddle), Holly Tannen (dulcimer), Eric Thompson
(guitar, lead guitar), Jody Stecher (fiddle, guitar, lead vocal track 11), Will Spires (fiddle).

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Field Recorders' Collective

The Field Recorders’ Collective is a nonprofit organization dedicated to the preservation and distribution of noncommercial recordings of traditional American music, material that is unavailable to the general public.

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