Get all 122 Field Recorders' Collective releases available on Bandcamp and save 20%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of FRC 739 - Eunice Yeatts McAlexander, Survey of Traditional Music, Vol. 1: From British Tradition, Survey of Traditional Music, Vol. 2: A Musical Melting Pot, Survey of Traditional Music, Vol. 4: The Anglo-African Exchange, Survey of Traditional Music, Vol. 3: Songs of Melancholy and Sorrow, Survey of Traditional Music, Vol. 5: Grown on American Soil, FRC 749 - Robert "Strawberry" McCloud - Bloomington Breakdown, FRC 750 - Luther Davis & Hus Caudill - Old-Time Galax-Style Twin Fiddling recorded by Tom Carter & Blanton Owen, and 114 more.
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Run Rabbit Run
01:28
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2. |
Brushy Run
01:10
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3. |
Three Forks of Reedy
01:34
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4. |
Leather Britches
01:34
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5. |
Cumberland Gap
01:49
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6. |
Big Sandy
01:26
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7. |
Dusty Miller
00:52
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8. |
Fisher's Hornpipe
01:18
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9. |
Sweet Sunny South
01:28
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10. |
Sally Goodin
01:07
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11. |
Jimmy Johnson
01:30
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12. |
Tomahawk
01:21
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13. |
Old Mother Flannigan
01:13
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14. |
Grey Eagle
00:57
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15. |
Talk
03:09
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16. |
Icy Mountain
01:58
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17. |
Jimmy Johnson
01:18
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18. |
Piney Mountain
01:01
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19. |
Pretty Little Indian
00:40
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20. |
Brushy Run
02:18
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21. |
Cattle in the Cane
02:07
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22. |
Katy Hill
02:24
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23. |
Run Rabbit Run
02:12
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24. |
Whistling Rufus
01:47
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25. |
Waltz in C
01:56
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26. |
Sandy River Belle
02:02
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27. |
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28. |
Icy Mountain
02:33
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29. |
Sally Goodin
02:07
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30. |
Old Mother Flannigan
02:12
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31. |
Pretty Little Indian
01:46
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32. |
Cotton Eye Joe
01:17
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33. |
Head of the Creek
01:24
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34. |
Chicken Reel
01:35
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35. |
Cuckoo's Nest
01:13
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36. |
Forked Deer
02:18
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37. |
Rocky Mountain Goat
01:56
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38. |
Three Forks of Reedy
01:49
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Field Recorders' Collective
The Field Recorders’ Collective is a nonprofit organization dedicated to the preservation and distribution of noncommercial recordings of traditional American music, material that is unavailable to the general public.
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Great playing and choice of tunes. No apologies needed for your interpretations of the tunes as far as I'm concerned. I'm a player and not an ethnomusicologist or historian. I probably re-interpret every tune I learn to make it mine. I have no problem with anyone else doing the same. We wouldn't have regional styles if it this personalizing were't part of the folk process from the getgo.
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