FRC 111 - The Balfa Brothers & Nathan Abshire: The 1970 NYC Concert (Recordings from the collections of Ray Alden & Dave Spilkia) | The Balfa Brothers & Nathan Abshire

FRC 111 - The Balfa Brothers & Nathan Abshire: The 1970 NYC Concert (Recordings from the collections of Ray Alden & Dave Spilkia)

by The Balfa Brothers & Nathan Abshire

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	1.	Hicks Wagon Wheel Special 01:47
	2.	La Valse de Reno 03:01
	3.	About Nathan's Pine Grove Blues (talk) 01:19
	4.	The Pine Grove Blues 05:49
	5.	About Nathan's WWII Song 00:49
	6.	The Service Blues 03:24
	7.	La Valse de Grandpere 03:43
	8.	Cajun History (talk) 01:04
	9.	Step It Fast (T'en as eu, Mais T'en auras Plus) 02:30
	10.	La Valse de Balfa 03:09
	11.	Traditional and Modern Cajun Fiddle Styles 01:10
	12.	Chere Tout Tout 03:18
	13.	A Musician's Earnings 00:21
	14.	Lacassine Special 02:40
	15.	Cajun Music until WWII (talk) 00:35
	16.	Les Veuves de la Coulee 02:11
	17.	The Power of a Musician 00:52
	18.	La Valse de Belisaire 04:20
	19.	Grand Mamou 02:41
	20.	Hard to leave home (talk) 02:27
	21.	Tout les Soirs 04:17
	22.	T'es Petite es T'es Mignonne 03:25
	23.	About Mardi Gras and Fais Do Do 02:03
	24.	J'etais au Bal 02:35
	25.	Parle Nous a Boire 01:48
	26.	La Valse de Kaplan 03:37
	27.	The Games People Play 04:12
	28.	Goodbye and Good Luck 00:26
	29.	The Bosco Stomp 02:49

about

In this special concert of music and talk, one hears both wonderful songs and clarifications of Cajun life. Only six years before this show, at Newport’s 1964 folk festival and much to Dewey Balfa’s surprise, he found American audiences embracing traditional Cajun music as far more than a crude “chanky-chank.” He decided to become ambassador for the Cajun culture. Nathan Abshire (1913-1981) had been influenced by accordionist Amédé Ardoin, his musical family and fiddler Lionel Leleux. Nathan first recorded in 1935 with the Rayne-Bo Ramblers and then in 1949 issued his best-known record, the “Pine Grove Blues”. Dewey’s connection to Nathan Abshire was as a one-time member of his “Pine Grove Boys.” “Les Frères Balfas” began playing informally at local gatherings during the ’40s with Dewey on fiddle, Will on “seconding” fiddle*, Rodney on guitar, Harry on accordion and Burkeman playing triangle and spoons. Later joined by neighbor Hadley Fontenot on accordion, they recorded “La Valse de Bon Baurche” and “Le Two Step de Ville Platte” as a 78-rpm single in 1951. Despite an extraordinary tragedy in February 1979, when Rodney and Will were killed in a car wreck, Dewey continued the music of the Balfa Brothers until his passing in 1992. – Ray Alden

* Also known as “bassing on the fiddle.” Both Dewey and Will’s fiddles would be “tuned to the accordion.” With a C accordion, you would “tune down the fiddle” a whole step, so from low to high it would be F C G D. Unlike cross tunings, this preserves the original fingerings, allowing the player to finger as if he were in A or D, but matching the C accordion. – Kevin Wimmer

credits

released November 16, 2015

Dewey Balfa (fiddle all tracks, vocal tracks 7, 9, 16, 19, 22, 24-26, 29), Will Balfa (fiddle all tracks, lead vocal track 10), Rodney Balfa (guitar all tracks, vocals tracks 2, 12, 14, 18, 21, 25, 27, 29), Nathan Abshire (accordion, triangle, vocal tracks 4, 6). Reno Waltz is dedicated to Jean-Pierre Bruneau, who made the documentary “Dans Le Sud de la Louisiane” in the 1970s.

Visit www.fieldrecorder.org for more information!

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Field Recorders' Collective

The Field Recorders’ Collective is a nonprofit organization dedicated to the preservation and distribution of noncommercial recordings of traditional American music, material that is unavailable to the general public.

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