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FRC 114 - Union Grove 1969: Recordings from the collection of Ray Alden

by Union Grove 1969

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1.
2.
Silly Billy 00:48
3.
4.
Peacock Rag 02:01
5.
Heartaches 01:27
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7.
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11.
12.
Just Because 02:23
13.
Peacock Rag 01:35
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16.
Sally Goodin 00:58
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18.
19.
20.
Bill Bailey 02:38
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22.
23.
Sally Goodin 01:39
24.
Rachel 01:26
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26.
Untitled 01:28
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Untitled 02:26
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29.
30.
31.
32.
Wild Horse 01:36
33.
Liberty 01:46
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35.
36.
June Apple 01:47
37.
Fortune 01:12
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39.
40.
Untitled 01:00
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42.
43.
44.
45.
Sally Goodin 01:10

about

(From the collection of Ray Alden)

During Easter Week of 1969, my wife Diane and I took a two-day trip down then incomplete Interstate 81 to smaller roads leading to the small town of Union Grove, North Carolina. We arrived late at night to the last Fiddler’s Convention to be held at the old school house. On stage in the school gym was an older man fiddling up a storm and wriggling his body to his music. It turned out to be the legendary Clark Kessinger, heard here on four tracks. The next day we recorded the remarkable Buffalo Ford Boys, from Asheboro North Carolina, with Glenn Davis picking a top tension Mastertone banjo in a bouncy Charlie Poole style. We then wandered over to Bob Douglas, from southern Tennessee and who in 1928 had worked with the Allen Brothers, playing some lovely fiddle music. I then had a pleasant discussion with Wade Ward. This was followed by recording a succession of musicians, including fiddler H.A. Harold of Winston-Salem, North Carolina and a group of old time musicians from whom I neglected to get names. I felt I had landed in southern old time music paradise, causing me a hard time when I returned back to teaching in New York. – Ray Alden

credits

released November 18, 2015

Buffalo Ford Boys (Archie Clark-fiddle, Glenn Davis–banjo, Fred Olson-guitar, Roland Brady-bass, tracks 1-15) , Clark Kessinger-fiddle and Gene Meade-guitar (tracks 16-18), Bob Douglas-fiddle and James Sullivan-guitar (tracks 19-27), H.A. Harold-fiddle with band (tracks 28-31), unknown old time string band featuring two-finger style banjo (tracks 32-45).

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Field Recorders' Collective

The Field Recorders’ Collective is a nonprofit organization dedicated to the preservation and distribution of noncommercial recordings of traditional American music, material that is unavailable to the general public.

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