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FRC 102 - Band In Transition: Camp Creek Boys to Smokey Valley Boys (Ray Alden collection)

by Band in Transition: Camp Creek Boys to Smokey Valley Boys

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1.
June Apple 02:05
2.
Let Me Fall 02:22
3.
John Hardy 01:36
4.
Liberty 02:09
5.
Fortune 02:03
6.
Sally Ann 01:35
7.
Gold Rush 02:11
8.
Grey Eagle 02:05
9.
10.
Susannah Gal 03:40
11.
Lost Indian 01:57
12.
John Hardy 02:11
13.
Liberty 02:02
14.
15.
16.
17.
Whoa Mule 01:09
18.
Richmond 02:23
19.
20.
Sally Ann 03:39
21.
22.
23.
Reuben 03:45
24.
25.
Katy Kline 03:03
26.
Let Me Fall 01:14
27.
28.

about

This CD concentrates on the band rather than the individual and addresses what happened to the sound of one of old time music’s great modern bands when certain members left and others joined. Benton Flippen joined North Carolina’s Camp Creek Boys in the late 1960s and shortly after formed his own band, the Smokey Valley Boys, circa 1971. Although Paul Sutphin endowed both bands with his strong vocal lead, the new banjo and mandolin players, along with Benton’s leadership on fiddle, changed the sound. Finally, the last six tracks hint at what the Camp Creeks Boys would have sounded like if Tommy Jarrell had joined the band.

credits

released October 16, 2015

Tracks 1-6: Camp Creek Boys: Benton Flippen (fiddle), Kyle
Creed (banjo), Paul Sutphin (vocals) and Ronald
Collins (guitars), Verlin Clifton (mandolin). Recorded
by Ray Alden at the 1970 Galax Fiddler’s Convention.

Tracks 7-22: Smokey Valley Boys: Benton Flippen (fiddle),
Gilmer Woodruff (banjo), Paul Sutphin (vocals) and
Larry Flippen (guitars), Hoyle Jones (mandolin &
vocals). Recorded at Tommy Jarrell’s New Year’s Eve
Party 1971 by Ray Alden.

Tracks 23-28: Tommy Jarrell with Kyle Creed (banjo), Paul
Sutphin, Mac Snow, Norris Jarrell, Benton Flippen
(guitars), Earnest East (Fiddle). Recorded at Tommy
Jarrell’s New Year’s Eve Party 1971 by Ray Alden.

Visit www.fieldrecorder.org for more information!

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Field Recorders' Collective

The Field Recorders’ Collective is a nonprofit organization dedicated to the preservation and distribution of noncommercial recordings of traditional American music, material that is unavailable to the general public.

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